Archive for May, 2011

Senior Tango

Some of the most devoted students of Argentine Tango are not what or who you would think. They are fine citizens who show up every Friday afternoon at the Emeryville Senior Center for lessons with Ivan Schvarts, Andrea, and me. You will have to look closely to guess that these dancers range in ages from their sixties on up to their nineties. They love Argentine Tango. That’s me in the pink “I Dream of Geni” pants ($8 in a vintage shop in Hermosa Beach, Los Angeles, CA). Come to the class and practica—all FREE—details here.

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Argentina, a Traveler’s Literary Companion

Edited by Jill Gibian (Whereabouts Press, Berkeley, Calif. 2010)

If you travel as I do, not consulting guidebooks (in fact, avoiding them), but showing up and seeing what happens, this portable book is for you. Argentina is an anthology of the literature of that country. It tells you more, shows you more, and  penetrates a culture faster, more accurately, more deeply than a dozen guidebooks ever could or would dare to. The writers whose works you’ll encounter include some of the world’s greats: Jorge Luis Borges, Julio Cortazar, and Luisa Valenzuela. Marcelo Birmajer’s The Last Happy Family not only put me smack in the middle of the gritty Once barrio of Buenos Aires where I often went while living there. But it also shed some light on why it’s so gritty. This is no-holds-barred literature that deepens one’s understanding of a culture beyond the surface and superficial stories that make the rounds all too often. Other stories in the 234-page volume take you out to the provinces. As the book jacket notes, the collection of 18 stories takes you “on a literary journey that climbs the Andes Mountains, navigates the great River Plate, traverses the expansive plains of the Pampas, and explores the ever-changing landscape of the Patagonia as it extends south to Tierra del Fuego.”

Argentina’s Editor Jill Gibian is Professor of Spanish and Latin American Studies at Eastern Oregon University. She is a Fullbright Scholar committed to the study and translation of the literature and culture of the River Plate region of Argentina and Uruguay. And, best of all (for some of us!), she is interested in tango and questions of memory and national identity. Watch for her forthcoming book, Tango-Lit: Parodies of Passion, with its focus on tango as cultural text.

Tale of Two Tangos III



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BENNIE AND YVETTE

Chapter 3 of A TALE OF TWO TANGOS

Mostly True Tales of Conflict and Peaceful Revolutions

By Camille Cusumano in collaboration with Gregory White

Follow these links for Chapter 1 and Chapter 2

Part I.

“But I LOVE Groynehilda!” Bennie shouted.

How he despaired. Would he ever recover from his bad case of RRE? It would kill his latest relationship, as it had all the others.

Few things startled Dr. Ocaramia, but she jumped perceptibly off her mat. It wasn’t due so much to Bennie’s sudden outburst as to the tiny seed-germination of an idea his LOVE shout sparked – how to help this man.

“Love is the answer,” Dr. O said obliquely.

“Oh, I know, I know, Dr. O.”

The vowel repetition momentarily distracted her. How often had she thought that tango, the thing that she and Bennie and all her clients shared, was a language of soft alphabet sounds, like sand in a breeze or water over pebbles. Tango had no hard boundaries like the consonants in English, like other dances.

Before her sat a man of such balanced hard and soft symmetry. It was almost criminal the fabulous looks Bennie possessed. But he suffered, oh, oh, oh how he suffered. Benedict Lucky suffered severely from Don Juan syndrome. He was a lady killer through no fault of his own. There are those who would blame his mother. Then, thought Dr. O, they had best just blame the Great Mother. Dr. O knew that all of us have the dj gene, located beside the first chakra, but for most of us, it remains dormant. It flared up into an extreme stubborn case for Bennie, partly triggered by his good looks.

“I believe you do…LOVE Groynhilde,” Dr. O said, making sure Bennie knew she had heard him. She was a good listener, a skill drilled into her as a child through twelve years of Catholic school, and which had served her well as a tango dancer. And now, as a tango dancer therapist.

Dr. Ocaramia specialized in treating tango dancers because she had a deep and penetrating understanding of their particular and peculiar disorders and problems. Every single one had a form of TAD, Tango Anxiety Disorder. The dance was a catalyst, just like anything that you are passionate about and define your life and the world through. The intensity and intimacy with others was wonderful and devastating at some point in each tango dancer’s career. But Dr. O knew TAD had to do with what we bring to the partnership. No one can make us suffer but us. Tango, for her clientele, was the ultimate sifter of truth from fiction.

Dr. Ocaramia’s diagnoses for her special clients ran the gamut of the issues of the population at large, all of them rooted and nourished by one cause – Fear. Dr. Ocaramia was not a trained therapist but had somehow fallen into the practice because of a vow she took years before, to save all beings. “Saving one, you save millions,” she could often be heard muttering in her rare idle moments.

There had been an explosion of disorders, at least in the San Francisco Bay Area as the tango community has matured and become more complex. Everything from OCD to PTSD to PMS manifest differently in tango dancers. Dr. Ocaramia could help them all: The woman who had to sleep with her shoes on required only a feng shui correction in her closet. There was the man whose compulsion led him to build a hidden high-heeled shoe cubby in his closet for one-hundred pairs of vintage and recently used women’s tango shoes.

“What’s wrong with that,” she asked?

She tried to send him away. But he needed six months of talking, researching the history of footwear, penetrating every belief on glamour before he was ready to leave happy just the way he was. Dr. O asked of him only if she might occasionally borrow a pair of the shoes. He generously gave her his favorite pair, 10-cenimeter stilettos in black suede with skimpy sandal foot and thin criss-cross ankle straps.

One woman came to her with a morbid fear of entering the dance hall and finding someone wearing the same dress. “So bring a change of clothing,” advised Dr. O and sent her away. Another woman had a recurring nightmare of entering the milonga stark naked. Same remedy: “Bring a change of clothing.” She had watched so many leave her office-cum-dance-floor freed of their noisome burden. She helped them by using a very simple formula, of showing up, remaining present, accepting what they offered, and being kind – for the most part.

Bennie fidgeted in his chair as his own conflict had risen to the surface. “It’s just that I’ve been this way since forever. I’m always looking at that next woman on the horizon. Always.” Bennie whined. Dr. O noticed that even with his most vulnerable display, he was a knockout. Dr. O relished not being KO’d by him. She had become immune since having tango satori.

“Have you ever sailed?” she asked.

“Yes, don’t care for it – my idea of nothing to do.”

Dr. O thought of how people prone to seasickness are advised to stare at the horizon. But no, that was a silly thought. She was just gathering wool, remaining present, as Bennie wallowed in his own pain.

“Dr. O, please help me; tell me how to stop . . . to control my RRRE.”

“RRE,” she corrected.

“RRE . . rrrrrr,” he growled and she could see how badly it hurt. “Maybe . . . do you think? . . . I should stop dancing tango? I’m so tired of being the Casanova.” He raised his big blue eyes with such pleading, she saw instantly how their aqueous sheen could kill a woman on the spot. A wavy lock of his sandy hair fell forward temptingly. A jolt of electricity ran through her most tender meridians. She kept a calm façade.

Bennie, don’t worry, you will be saved. In her mind, she clicked on “Save as” in the pull-down menu. He could only be saved as himself. Therein lay the rub.

“No, Bennie. Just this once I’ll give you advice, you know I don’t do that. Don’t stop dancing tango. It is your poison but it’s also your antidote. And, only you can figure out which to apply. It’s your life or no-life riddle – your koan, which if answered correctly leads to what you really want above all else. Answer as you normally do, you get the normal result – pain. Your coming here to talk will clarify all.” Dr. O knew that words were superfluous.

But it turns out, research at the Noetic Institute was showing, that everything we call reality is actually a form of placebo. “Tell me again, how many women at last night’s milonga did you trip-off on with fantasies of taking them to bed?” Not that the number mattered. It was part of the therapeutic process. In fact, numbers had a markedly adverse effect on Dr. O., removing her from her beloved connection to the faint path leading her client ineluctably from placebo-reality to her client’s experiencing the illusive moment of truth – the fear-killer that they both hunted.

“Only five,” Bennie answered weakly. He didn’t notice when Dr. O passed out for a nanosecond, her auto-protective device that clicks-in when disconnection occurs caused by the client’s stating, not truth, but nomenclature. Then, she came to. He held up his left hand with his fingers spread in the air. “Five: Zelda, Jillene, Arrabel, Fredericka, and Linguine.”

“Linguine?”

“That’s my name for her. She was thin, lanky, and I could coil her body around me like a giant snake of constrictor-pasta. Oh, man, we did a lot of leg wraps, left, right, and center. Ohhhhh . . . ” he smiled lewd-a-sciviously. “I don’t recall her real name, but I was hungry at the time.”

“Uh-hummm, I see,” said Dr. O. “And, Groynehilda?”

“She was there. She understands, it’s just a dance, a three-minute love affair with a follower who I know to the core, but who is a stranger. What makes it so perilously painful is that she trusts me to the core.”

“I see. Groynehilda is an enlightened woman, Mr. Lucky.” She made some mental notes. As she did, Bennie went off talking about his problem. How, after five marriages (Dr. O passes out) he was sure Groynehilda was it. He had met her family and assured her he wanted to marry forever this time, have children. But he had the most stubborn case of Rapidly Roving Eye.

Why was it that the most conventionally beautiful people suffered the most? Dr. O had yet to work that one out. Those with receding chins, small eyes, big noses, bow legs, acne scars, balding, squat builds, funny butts, or just ordinary features seemed to be somehow vaccinated by their very imperfections against such anguish. But these beauties were fairytales in reverse. They started life with everything and then became miserable. They were the Walking Wounded.

The Walking Healed seemed to always be the protagonist with perceived defects. All it seemed to take for them to radiate that coveted divine beauty that transforms ugly ducklings into swans was the simple love of another. Or even that gourmet version, Self Love. But the beautiful people were led, or misled, to expect too much of themselves.

“Perhaps I need some sort of aversion therapy?” Bennie interrupted her silent speculation.

His desperation was over the top. “I was thinking exactly the opposite,” Dr. O said. She knew how badly he wanted to settle down with Groynehilda and raise a family. It was hard to find a woman willing to make a commitment these days. “Bennie, when you go home today, indulge yourself. Sit in a quiet place and let the thoughts of other women come up. But that’s all. Don’t stop them. Don’t hold on to them. Let them rip.”

“Well . . . if you say so . . .” Bennie looked slightly dubious.

“Oh, and this may sound contradictory, but don’t think too much and don’t, and I mean DO NOT touch yourself during the fantasy.”

“Huh?”

Dr. O was not thinking, but the face of Yvette Baisemoi, her only other client currently, arose in her mind. By some bizarre coincidence, like Bennie’s good looks, Yvette was a woman who made Liz Taylor, Ava Gardner, and Sophia Loren look like home girls. Yvette’s suffering was equal to that of Bennie’s and appeared to be caused by the same fear. Dr. O realized what Bennie and Yvette both needed was the same remedy. She would discuss her ideas later with Dr. Nureyev.

Seeing the doubt and bewildered look on Bennie’s face, Dr. O said, “Bennie, story time.”

“There was once a man whose entire life had failed him. Everything had let him down eventually beginning with Santa Clause and the tooth fairy: his parents, his wife and kids, his belief in Christianity, then Judaism, Islam, then Buddhism, Secular Humanism, Atheism, then Marxism, Communism, sailing, golfing, tennis, voodoo, you name it, even nature and the environment. The man had confided all of his failed searches for happiness in a friend, named Jeremiah, who believed himself to be his sole friend and confidant. The man died at 95, very old, but in good shape until the last week of his life. Even dying failed him. Jeremiah figured, being the man’s only friend, he had better go to the funeral for him. It turned out there were thousands of people at the funeral. The man had thousands of confidants, each one feeling he was the man’s sole friend and confidant in the world. The Man had led a full and satisfying life out of being let down and sharing it with the world, one person at a time.”

“It’s an interesting story, Dr. O,” said Bennie, the doubt still front and center.

“That man,” Dr. O said, “had, on a rotating basis, faith, doubt, and persistence – and the greatest of those three for him was doubt. He was never certain of being in the right place, doing the right thing. Never.”

“I see,” said Bennie, “he made a long lifetime out of it.”

“And many friends.” On some level, Dr. O hoped, Bennie understood we are who we are and can’t change some of our hardware. We can only “Save as . . .” Suddenly, she clapped her hands twice.

“Oh no!” said Bennie. “Dr. N? Please  . . . I didn’t mean to doubt . . . I mean, think.”

“Shh.”

A pleated curtain in the doorway was drawn aside. A right foot in a butter-soft leather two-tone Hugo Boss shoe was extended forward onto its heel, then rolled soundlessly onto its metatarsals as the left foot pushed a man’s weight forward. It was Dr. Nureyev, dressed in an elegant gray silk Brioni suit. The soft-lavender vest he wore over his pin-striped Canali shirt might have been considered too dandy or Euro by American standards. But Dr. N was a longtime tango dancer. His complexion glowed like that of a transformed protagonist in a fairytale. In fact, he recently had been reborn.

“Amigo.” Dr. O smiled. She had never seen him so relaxed in the old days before he had disappeared for forty days and forty nights. Dr. N was to “blame” for her immersion in tango’s mysteries and in the problems and disorders of others. She had been happy to not-think and dance, not-think and dance. But he had been the one to lead her to a place in the dead of winter where she danced into the cosmos with star dancer David Mendoza. He had videotaped her and David. The video disappeared. It was a lesson in ephemeral art. You can dance tango. You cannot hold it still. Then Nureyev disappeared. Only later, did Dr. O learn why.

“You rang, Dr. O?”

Dr. O nodded. “Please, check Bennie’s heart-to-brain ratio.” Dr. O’s office was situated off a big dance floor South of Market (SOMA), the hallowed ground for psychosomatic work.

Pugliese, DiSarli, or Biaggi?”

“Make it Piazzola,” said Dr. O. “I’ll tell you why later.”

Dr. N said, “C’mon Ben, lead me; I’ve become a really good follower since my rebirth. You won’t know the difference between me and your latest thrill. If you close your eyes, that is.”

“Linguine…is the latest,” said Dr. O.

“Believe me, I’ll close my eyes. . . . hmmm nice after shave.”

“Thank you, it’s MOB cologne.”

“MOB?”

“My Own Blend, a mix of citrus, cedar, and heated wood shavings. Women love it.”

As they began to dance to Oblivion, Dr. O recalled an Argentine man she used to dance with at Niño Bien on Thursday nights while living in Buenos Aires. During the chat time between tangos she couldn’t resist saying, “Juan, you’ve been to La Gran Taberna tonight, haven’t you?”

“¡¿Como sabes?!” Juan was bewildered.

“Es asi.” She wouldn’t tell Juan that lodged in the fibers of his wool jacket her acute olfactory sense could detect the saffron from the south of Spain loaded into the paella that only La Gran Taberna served.

“Oh, it’s so heavenly,” said Bennie, inhaling the cloud of Dr. N’s fragrance enveloping his senses. “I can see why women love it.” He kept sniffing at Dr. N’s neck. “Can you bottle some for me?”

Dr. O stuck her neck out from the curtain. “Nothing doing! Don’t give him any.”

“Righto, Ben, your problem is not attracting women. C’mon, stop breathing down my neck. Lead away.”

“Oh, and Ben, Dr. N,” said Dr. O, “lots of CBM, please.”

“You got it, Dr. O,” the two men both answered.

CBM, or contra-body movement, Dr. O knew, was great for high anxiety. It was a tenet of Chinese medicine: When you moved your upper body in opposition to your lower body, as in CBM, it stimulated and scrambled both hemispheres of the brain, thereby releasing confusion. That’s why yoga spinal twists were so calming. CBM was even better than EMDR, an acronym for Eye Movement Desensitization and Reprocessing, a process that is supposed to bleed-out the feelings caused by trauma by facilitating an interaction between both hemispheres of the brain as one relives a stressful situation. But Dr. O and Dr. N knew that nothing bled the bad or the good blood like tango. Nothing.

Bad as Bennie’s RRE was, Dr. O was convinced he would pull through some how. She had helped a broad assortment of ailments, some easier to treat than they first appeared. Some of her cases required mere referrals to other types of healers. For cases of blocked artist, Dr. O referred them to an art therapist who got them literally drawing out their pain and moving on to productive creative lives. Some patients simply needed the right bodywork—be it reiki, acupuncture, acupressure, deep-tissue massage, or a clearing with chiropractic manipulation—to rid them of body armor that common roadblock to joy. For some people, dream work or Bach flowers were needed. A woman who couldn’t stop counting the tango beat in her head just needed to learn some yogic breathing and to listen to her heartbeat. “Ah, the rhythm of breath and heartbeat, aha,” said she, “who needs numbers?” Certainly not Dr. O.

So elementary. Indeed.

There was the guy who had the panic attacks as soon as he crossed the transom of a dance hall. Dr. O gave him a word imbued with power to make him feel like King of the Jungle. He had to say it three times at the threshold. It was Iguazu (ee-gwah-SOO), a word that held the power of falling water seeking its own level and polishing hard rock to vowel-sound smoothness. That guy came back six months later to tell her how he had forgotten to say it one night and danced his best, no panic attack.

“So now you know?” she said.

“That I never needed that word.”

“Go in peace, your therapy is ended.”

There was the woman who hyper-smelled every possible off-odor: sock lint, mineral-rich sweat, toe jam, and scaly scalps. Another yoga specialist was called in to teach her to separate out the offending molecules from the pleasant ones, when breathing through her nostrils a certain way, using the muscles of her nose and sinuses. Elementary.

And there was the man who was repulsed by most female body scent, leading him to engage in excessive approach-avoidance behavior while dancing. A rash of whiplash cases in followers was traced to his energetic lead. Aromatherapy, using leading brand perfumes combined with human and animal pheromones helped him become a truly inspired tanguero, able to flip repulsion to attraction during the course of one tanda.

Dr. O, who was not really a doctor in the academic sense, excelled in helping people who thought too much. Not thinking was her expertise. The notions of not thinking and not blaming others for your own missteps form the elementary basis for tango bliss. You see, there are no missteps in tango, if you don’t think. Aha!

Drs. Ocaramia and Nureyev had both been transformed by the alchemical process of tango and wanted to help others get there. When Dr. N disappeared, it had been to go off into the desert to complete his rebirth. Some people need to do that. Before he vanished, he had incited Dr. O to start writing The Book of Tango (superfluous words!) and deconstruct true happiness. Which was hard when you did not think too much. Like Dr. N, Dr. O had experienced the Oneness that has no name, no eyes, no ears, no nose, no tongue, no body, no mind, no smell, no taste, no touch, etc. Dr. O did not yet know how that ONE was called. But she was sure she would before she died, even if it was only in a flash before she died. She would know that ONE.

Bennie and Dr. N were done dancing. Dr. O said, “Well?”

Dr. N nodded, “He’s dancing from his brain. Bennie, my boy, you gotta lead from nothingness, or the heart if that’s where you feel your partner.”

“I know, I know,” Bennie said, vexed, yet calm having just done a lot of CBM.

“So why Piazzola?” Dr. N asked.

“Because Astor Piazzola’s music has the purest heart-to-brain ratio. That’s why he didn’t want people to dance to his music,” explained Dr. O.

Bennie sighed and sat down.

A bandoneon groaned and Dr. O said, “That’s our cue. Don’t get too comfortable, Bennie, your 55 minutes are long ago up.”

“OK. See you next week.” Bennie went to pull out his wallet and Dr. O reminded him as she always did, “Put it away.”

“Oh, yes, pay it forward, will do.”

Dr. O didn’t take payment. For a long time now she had been on a divesting trend because it was much closer to bliss. In tango, the closer the skin and the bone—the fewer things that came between you and your partner—the higher the bliss quotient. But it was not so much that Dr. O didn’t care about money or material things. It was that she was clinically bad with numbers. Little known fact: numbers were for her like Kryptonite for Superman; they robbed her of energy and of her powers. She had gotten through the basic eight-count of tango only by popping her ears during the lesson as the teacher counted. It’s not that she believed numbers were unimportant—without them we would never have sent men to the moon or have the many wonders of the technological age. But Dr. O was among the chosen few (most of them tango dancers) who had received the wisdom that other unexplored intelligence now lay where no numbers dared go.

Interestingly, Dr. O had no explanation for the number of physicists, architects, mathemeticians, rocket scientists, financial planners, and all the hyper-number people who were attracted to tango. However, these digitally-inclined guys were able to accomplish another astonishing feat: CMM, Contra-Mind-Movement, a delicious, for Dr. O, out-of-his-mind moving of his body from the heart of his nothingness. Well, that’s how Dr. N explained it.

A few strains of violins cried followed by a rhythmic bar of Biaggi on piano. “That must be Yvette Baisemoi. She’s early,” said Dr. O as Dr. N went to open the door for her. Yvette entered as Bennie was leaving. Drs. O and N did not miss the eye-lock between Bennie and Yvette.

“Dr. O, Dr. N, sorry I’m early. I need to talk. PDQ,” said Yvette.

“Please sit and wait, Yvette, in the anteroom,” said Dr. O. “By Ben. Be Good.”

Bennie turned back and said, “Hey Dr. O. That 95-year-old man. I was wondering. Did he try tango?”

“Ben, What is the essence of tango?” Dr. O. replied.

Bennie understood. Another koan. He bowed and left.

Part II.

Drs. O & N, two of the world’s greatest non-thinkers, sat down to discuss their clients. They had fifteen minutes to debrief. They shared a little Malbec in small goblets, a little wine (sometimes Dr. O heard “whine”) to whet the brain, as Aristophanes said.

Dr. N sipped, then said, “So Bennie & Yvette. Has the ring of an Elton John song.”

Dr. O sipped and sighed, too. “Yes.”

“Yvette suffers from ILSE?”

Dr. O nodded. “Incredibly Low Self Esteem.”

Dr. N shook his head. Yvette’s other-worldly beauty was not wasted on him. He had an artistic appreciation for the female form. “It’s confusing, isn’t it? It comes off as superiority complex.”

“Yes,” said Dr. O, “The armor, the shield, the self defense. This Malbec is extra velvety today.” Dr. O listened for months to Yvette rail against every man she believed to be her equal who did not fall all over her and invite her to dance and remain under her spell. Those who did were obviously not her equal.

Dr. N swirled, sipped, swallowed, and said, “Yes, black velvet. If only you could tear that silly soul-constricting persona off of Yvette, Dr. O. All would be well. Underneath is a good person.”

Dr. O laughed. “You know better, Amigo.” She marveled at how well he had been born again. “So, which desert?”

“Death Valley.”

“But, of course.”

“I was able to hang out in the many ghosts towns and not be seen.”

“You and the video of me on cosmic tour with David Mendoza. Thanks a lot, Amigo.” She liked to give him digs. They went right through him.

“Don’t worry, it’ll materialize some day.”

They both knew that things only tend to exist. “How am I supposed to convince people I took a trip around the universe on an old wood floor,” she dug at him again.

“Don’t sweat. With Temple-of-Doom ferocity, I will find it.”

“It’s not the Holy Grail.”

“What is?”

“That which we name.”

He nodded agreement, quaffed, and quipped, “So Yvette is a TAD off, too.”

Dr. O chuckled, drained her goblet and said, “Hardy har. A three-legged dog walks into a bar and says, ‘I’m lookin’ for the man who shot my Paw’.” She stood to leave.

“One bad joke deserves another. Clap twice if you need me.”

Yvette asked Dr. O, “Who was that man in the waiting area?”

“You know the oath of client-privacy,” said Dr. O.

“Never mind – I’ll see him at a milonga and find out.”

Dr. O hoped, really hoped, she would.

Yvette launched into her spiel. All the good men not paying her one ounce of attention. Or worse, teasing her, dangling carrots, then dropping the ball or carrot, keeping her at an arm’s length, sending mixed messages. Keeping her awake at night, waiting, not knowing, not knowing. The unbearable uncertainty. And then this one and that one who knew they didn’t have a chance with her, start texting her. The utter gall. Yvette didn’t require Dr. O to say a word, just to listen. As she went on in this vein, Dr. O recalled one visit when Yvette had looked real, had forgot to wear her mask. Her fabulous marble-green eyes shone true as she told of Herman, the one guy she could have, should have, would have stayed with. “Ah, but he’s back in Mahwah.”

Her man back in Mah way, Dr. O always remembered it like a short story title. Yvette was such an open-and-shut case. If only she knew it herself.

“Oh, Dr. O, I’m so miserable. All I want is a modest life, to be happy, to be free from all this anxiety and not knowing. One good man. That’s all. Is that asking for too much? Really?” Yvette began to cry. Dr. O handed her the ever-ready box of tissues. Yvette sobbed for a full five minutes. Dr. O recalled how arrogant and self-absorbed Yvette had appeared at her intake almost a year ago. Dr. N vetted Yvette, as he always did the initial intake. He sat with them cross-legged facing each other. He took the pulse of the patient as they danced both to DiSarli and Biaggi, the respective Kings of Romance and Rhythm. He peered into their eyes and studied their souls, made notes. He had become so good at reading souls, gazing there where no words dared be said or heard. He felt their hearts beat against his heart. He did this to both men and women. For one full minute, he and the new patient stared into each other’s eyes. He must have learned this somewhere, back in the Sixties maybe, that the eyes show the strength of the soul. Dr. N’s diagnosis was that Yvette had a major gash in her soul. But nothing that a proper, genuine Tango Moment could not fix. Dr. O was piecing this advice together with Bennie’s problem when Yvette finally stopped crying. The entire box of crumpled tissues lay at her feet.

“I have felt for so long, that what I want is within reach, around the bend, on the horizon,” sniffled Yvette. The horizon again. “And then it slips away. Again.”

“Do you sail?” Dr. O triangulated again.

“Heavens, no.”

“I see. Hmmm.”

“Am I asking too much of life?”

“No,” Dr. O answered. “It’s not asking too much.” She wished, though, that Yvette would ask other questions. And so she did.

“Dr. O, do you think I should quit the tango scene? Juggling chainsaws might be less fraught with peril.” Yvette laughed and even with red puffy eyes was so drop-dead gorgeous.

“You have to follow your heart, Yvette.” Stating the obvious occasionally worked.

“I know, I know. Oh, Dr. O, oh. My heart aches. Nobody knows the troubles I’ve seen.”

Glory hallelujah, Dr. O sang to herself. A bandonenon groaned and Yvette stood to leave.

Dr. O clapped twice and Dr. N appeared. “How about a vals (waltz) before Yvette leaves, to calm her. Plenty of CBM, weight changes, those false weight changes called syncopations . . . and a few chassés to chase away the blues. Make it Soñar y nada mas.”

“Quite fitting,” said Dr. N.

As they danced away, Dr. O heard Yvette say, “Oh, Dr. N, you smell wonderful. What is it?”

By and by, Dr. N found Dr. O hanging herself. She was suspended upside down from a bar, in peaceful traction, trying to aerate and nourish the chakras that lay along her spine. Dr. O always did a yoga pose after a few client sessions. She came down when Dr. N called her to consultation.

Again, two of the world’s greatest non-thinkers sat down to discuss the pain and agony of their clients. Such Walking wounded. They scratched their heads, put their hands over their hearts, asked each other, “Have you ever seen two more conventionally beautiful people who had it all be so miserable?”

“Fairytales in reverse,” muttered Dr. O. “I’m telling you.”

“Each looking for a soul mate,” said Dr. N, “not knowing they already possess their missing half within.”

Not knowing. Knot knowing, ran through Dr. O’s mind like a mantra.

“Dr. O,” said Dr. N. “I see the wheels turning. What gives?”

“The Wheel of Fortune is always turning . . . What was that last thing you said?”

“About their missing half?”

“Yes,” said Dr. O. She could get to two without passing out.

“Aha, I see,” said Dr. N. “Two missing halves.”

“Do they ever go to the same milonga?”

“More importantly, how do you hand out a prescription for a TM? Can they cultivate and experience a real Tango Moment?” Drs. O & N knew that all their suffering would come into perspective once they did. The Tango Moment was simply code, symbols like all words, in this case for the God Experience. Dr. O preferred to call it by the Latinate Tangotum momentum, because it was a dynamic state, not fixed.

From the moment they met, Drs. Ocaramia and Nureyev had not thought of each other in earthly terms. They had gone through the metaphysical sieve, like many tango dancers. Drs. O & N were skilled in the dialogue of body language. Communicating only with alpha waves of their brains, the EKGs of their heartbeat, and the light available to their retinas, Drs. O & N went on to share the wisdom, ideas, concepts running through their hearts and minds. In a fairytale ending, they agreed Bennie and Yvette would meet and complete each other, supply that missing half, and bring eternal bliss, a model for others. But this was real life. Something bigger and better was actually available to both of them. Some tapping in to that absolute. Their private hells could become heaven as easily as it took to take a side step in tango and exit clock time. Presently, the two not-thinkers switched back to spoken language:

Dr. N: So, yes, for all the tango they dance, both are lacking the God experience.

Dr. O: Possibly due to their being treated like gods and goddesses all their lives.

Dr. N: Hmmm, I see. Possibly. And yet, like the rest of us mortals they have the wound, the gash in the soul. I looked in and saw it, clear as your bandoneon bell.

Dr. O: Indeed, they both have the crack that lets the light in. Perhaps they need to bleed into each other’s wounds?

Dr. N: It seems so obvious. A homeopathic approach is in order. They are so, so . . . symmetrical.

Dr. O: Indeed, Dr. N, mirror images. If only . . . we could . . .

Dr. N: Hmmm, yes, absolutely. Are you not-thinking what I’m not-thinking?

Drs O & N: GIVE EACH OTHER A GENUINE TANGO MOMENT.

Dr O (rubbing her chin where a beard would be were she a man): Uh-huh, um-hmmm.

Dr. N: (Rubbing his seven-hour stubble, leaning forward on his knees): Uh, huh. . .

She triangulated again. Bennie and Yvette each longed for something on the horizon. Inside the Tango Moment there is no horizon, you are IT. TM is characterized by a suspension of longing; the longing is not squashed or killed—that would be violence. But it’s balanced inside a boundless feeling of equanimity. Longing, after all, is our human default mode of being, as long as we are of the flesh. We experience our first, or primal, longing for mother and then it keeps morphing and transferring into and onto other things, in most of us, in socially acceptable ways. Our monetary system is built and sustained solely on longing. When longing is vigorously and mindfully concentrated, focused, and channeled into a pointed understanding of life and existence, it is called “way seeking.” Suffering then becomes a subset . . . Dr. O found her head aching, too much thinking. She turned to Dr. N, who seemed on the verge of too much thought, also.

“Why do you believe people can go their whole lives dancing, or doing anything they love or what they believe they are meant to do here on earth and never ever experience the TM or its reasonable facsimile?” she asked.

“Fear. Fear of intimacy kills the possibility for Tango Moments. Fear of not looking good. Fear of losing control kills the moment. The best experience of life occurs the moment we relinquish control.” And fear of being wrong, being found out. Fear that our partner is right – all anti-tango mind states. Fear and tango can never cohabitate, especially during a TM.

“ ‘No tears, no fears, no ruined years, no clocks.’ I’ve always adored that line from the time I was sixteen. I wanted to be a Twentieth Century Fox.”

“You are,” complimented Dr. N. Dr. O wasn’t sure that was a good thing. He continued,  “Ah, the tango moment is love living momentarily in its purest state without words, without even relationship.”

She remembered how once Dr. N had emailed her, Are you making a distinction between casual TMs and true TMs? I will stop by your office for the answer. To which she replied, the Tango Moment is always present. It was as if he had asked do you make a distinction between casual gods and true gods?

“If TM = Now, why can’t B & Y access theirs? Maybe through meditation?” she asked.

“Even meditation kills the TM because the life of the Tango Moment is exterminated by pure high grade consciousness. The TM lives in the middle ground between bliss consciousness and its exact opposite, blatant unconsciousness. “

“Dr. N! My sentiments precisely. An optimal arousal is called for, you mean to say.”

“Too excited and it’s lost; depressed, anxious, and it’s gone. The middle ground is where life and love dance, where the music is played – the stimulus for the tango moment.”

“Ah, zee music?” Dr. O liked to channel Dr. Ruth sometimes—she had sent clients to Dr. Ruth. “How could this be? An outside stimulus? Hmmm.”

“An inside stimulus. The music is in us. In a state of either meditation/consciousness or unconsciousness, I can’t hear the bandoneon, therefore no Tango Moment. Also, even in the middle ground thinking kills the moment – even recalling a tango pattern.”

“Dr. N, No need to state the obvious for me. I think that Yvette and Bennie are custom-made for sharing a TM.”

“Bennie must have no fear of being untrue to his primary love relationship . . . what’s her name? Groin?”

“Please, Dr. N, Not One, Not Two, Not Three. Stop counting. How many times I hafta tell ya.” She slipped into her New Jersey accent. “No primary, no secondary . . .” Dr. O passed out cold. As usual, Dr. N, thought she was bored or having a narcoleptic fit. Thus, Dr. O did not hear his last question: “What is the state of mind that is the primordial pool from which the nascent tango moment emerges? Is it a contemplative state?”

Part III.

When Dr. O came to, Dr. N was looking into her eyes. She picked up a conversation they had a year ago. “We are always in a state more or less of longing, which adds to our suffering. Are we in the right place. We long to know. If the answer is no, we long to be elsewhere. We start planning and missing the present momentum. The Don Juans and Dona Juanas suffer thus, fatally driven to search, wonder, search again. The viral longers. These are truly the real sufferers among us.”

“Dr. O, you don’t think you should reserve the word suffering for those in India, China, Burma, Africa . . . It seems wasted to me on a Dandi like Bennie, with his butter-soft leather shoes, Brioni suits, Canali shirts . . . errrr. . . ” he trailed off and looked down at his own attire. The fact was, Dr. N preferred modest dress, jeans and T-shirt or sports shirt, but Dr. O thought he should dress up for their clients.

Dr. O nodded understandingly. “Dr N, I am not without compassion for those all over the globe suffering torture and deprivation. But I must say, heartless as it sounds, it is within our reach right now to end that physical and mental torture. Those with too little can be fed tomorrow. The tyrants can be stopped. As blessed as are the meek, so are as cursed the mighty, the ninth Beatitude. Do you know who the Dalai Lama feels most sorrow for in this world? The Americans. Yes, we who suffer from epidemic low self-esteem. That is a disease. An ill-at-ease that no one but the sufferer can end. And all those other ills, shortages, torture, brutality, can be traced to low self-esteem in someone. Low self-esteem has the potential to gives rise to dictators, satanic leaders, to all kinds of tyranny, and to viral longing.

“Ah yes,” said Dr. N, “Chekhov wrote, ‘Others made me a slave. But I may squeeze the slave out of myself, drop by drop.’”*

“Exactly. Now please, before I get on a soapbox or something, put me at-ease. Let’s tango. Make it DiSarli’s Nido Gaucho, that song about longing for a paradise lost.”

A week later, when Dr. O heard the bandoneon ring, she knew it was Bennie. She thought she detected some new notes of elation in the groan even before she opened the door and saw Bennie’s face.

“Dr. Ocaramia!” He strode past her to his seat and said. “You have never looked more beautiful before.”

She had just woken up from a deep sleep, having heard someone on NPR estimate how many stars are in the universe. “Gee, thanks, Ben.”

“Hey, I’m double parked, but no problem. I won’t be staying long.”

She knew why but still wanted to hear it from his mortal mouth. “What gives?”

“Everything gives, Dr. O. Everything. I was going through my routine at the Verdi Club on Thursday night, ticking off the women I wanted . . . well, you know my game better than I, when I spot a new dancer. She makes Liz, Taylor, Audrey Hepburn, and Ava Gardner look like home girls.”

“Oh, and what about Sophia Loren?”

“Her, too. Real ordinary. Her name is Yvette.”

“Yvette, Yvette . . . ah, yes, Yvette.”

“I don’t know how to explain it. On the one hand it was nothing out of the ordinary. I invited her dance and it was going well. I led a few ochos, molinetes to the left to the right . . . . And then it was, I can’t find another word, DIVINE. I felt the room, the music, the others around us, all there, but at the same time gone . . . like you always say our feet are planted in the earth but our upper body is in heaven . . . .we were all part of a master plan, and everything was perfect. I felt at once that the story of my life was etched on the heart of another. And at the same time, there were millions of stories passing by, all wonderful, marvelous. Dr. O, I’m at a loss for words. It was like . . . like . . . .”

Dr. O yawned and listened.

Bennie’s eyes were like polished-stars-of-sapphire illuminating the room. “It was like Infinity.”

Dr. O smiled. She adored and worshipped Infinity, a quantity that was really a quality, a figure eight on its side. An ocho.

Dr. O knew the rest of his story but she asked anyway. “And Groynehilda?”

“My beloved she is and will be. The message for me is that life makes sense as it is. I understand the essence of tango. I cannot stop my RRE, but I can let it be. Groynehilda and I are getting married next week. I understand everything about myself and who I am is who I am. Dr. O, I owe you so much.”

“No, you didn’t need me.” She yawned again. “Pay it forward. You better move your car.”

Bennie hugged her tightly and left. She was proud of Bennie for cutting to the chase. So often the mistake we make in the West is thinking the catalyst—the material world, be it person, money, house, car—is the happiness. Bennie had not ever considered that Yvette was IT. She was only his gateway.

Dr. O waited in lotus pose. Less than an hour passed. The bandoneon groaned with elation. Drs. N and O opened the door to greet Yvette. “Drs. O and N, my joy knows no words or bounds. Hey, I’m double parked but this will be fast.”

As they stood on the dance floor at the entrance, Yvette sashayed with her imaginary partner and then stood still and said. “I think you know. I have experienced God.”

“All will be well,” said Dr. O.

“That man, Bennie . . .” Yvette looked deeply into Dr. N’s eyes, then into Dr. O’s eyes. They all three had a silent conversation and understood what had occurred. Yvette, too, understood, like Bennie that the plug is not the electricity. The streambed is not the river. Bennie was merely her gate. Her man in Mahway awaited.

“I talked to Herman last night. We’re going to meet up soon.”

“Oh, ah, sounds serious,” Drs. O and N cooed in tandem.

“Oh, you two, don’t act so surprised,” said Yvette. “Before I settle down with Herman, I plan to go on a pilgrimage alone. I’m leaving next week for the Andes. There’s a shaman in Cordoba I want to meet and a woman in Buenos Aires, Maria Jose, who reads our moon moods. Naturally, the Mecca of Tango, is a must. Herman will wait for me.”

“You better go move your car,” said Dr. N.

Yvette turned to leave, then looked back. “I know it’s corny but there’s no other way to say it. I have seen the Light.”

When she was gone, Dr. O yawned, then said, “Does the wind sift the dunes or do the dunes move the wind?”

“Well said, Dr. O, well said. Shall we dance?”

“Yes, do you want to be the dune or the wind, today? Mmm…I see the mirage of a Tango Moment.”

“OASIS.”

TO BE CONTINUED

Drs N & O, based on their successful treatment of Bennie & Yvette, recommend the following exercises.

1. Be yourself – no matter how scary

2. Love yourself – no matter how scary.

3. Go toward your fear not away from it. Watch it dissipate.

4. If the above fail, drop by Drs N & O’s office, South of Market. Follow the sound of the groaning bandoneon.

* Credit is due Vivian Gornick for bringing this quote to our attention in her book, Approaching Eye Level.

Tango Boot Camp takes me higher

Sign up while there’s still space: Intermediate Level Boot Camp with Christy Cote & Daniel Peters May 21-22, 2011 – Cheryl Burke Dance, Mountain View -  www.tangobootcamp.org

Just when I think I can’t get any “higher” in tango, a new moment comes along. Such was the pleasant surprise this past weekend at Christy Cote’s Tango Boot Camp for beginners in Oakland, at Linden Dance Studio.

Along with more than a dozen other tangueros who had all studied under Christy before, I assisted the teaching of the newcomers over two full days (10:30 a.m.–6 p.m. on Saturday and Sunday). There were nearly two dozen students and almost one of us assistants for each of them. We were affectionately called the Elite Force and our “regulation” uniform was a red T-shirt. The studio was beautiful with lovely wood floors, Spa-like décor, and tantalizing aromatics that filled the air.

I knew it was going to be a superlative weekend from the moment “Sergeant” Bob called us to attention and Sly, a normally quiet, always smooth and excellent leader, shouted, also in fun, A LEFT, A LEFT, A LEFT, RIGHT, LEFT. The pounding of our marching feet matched our elevated heartbeats as we moved in the line of dance. This pulse-raising exercise was followed by a spiraling together in a huge group hug to Carlos DiSarli’s La Muñeca, a song that always takes me back to San Telmo Sundays in Buenos Aires. Call me silly and sentimental but I had tears in my eyes. In those opening moments, pleasantly crushed by soon-to-be friends, I experienced all the joy and bliss that tango has brought into my life.

Could it get any better?

It did when we got down to business and the fun began. Christy and her Verdi Club partner, Adolfo Caszarry, started the workshop teaching the all-important embrace, followed by the walking, the rock step (or cadencia), little check turns, and much more. I was amazed at the material covered and how the time flew by. That first day alone, we got through many things, including the ocho cortado, the 8-count basic, various ways of walking (in cross and parallel systems), and a lot of the technique involved.

While living in Buenos Aires, I took classes with many of the gods and goddesses of tango, including (just to name drop a bit) Julio Balmaceda, Roberto Canelo, Alicia Pons, Susana Miller, the late Omar Vega, Luciana Valle, Daniel Lapadula, Jorge Firpo, and many others. They’re all wonderful but no one runs a boot camp like Christy Cote.

She paced the material beautifully. It never felt rushed and there was plenty of time for participants to ask questions in a supportive ambiance. Christy knew when to give us breaks, and when to have us sit and watch visual presentations about the history of tango. She gave a little survey of the music, giving the participants an idea of how rich, varied, and enduring it is. She gave out handouts to take away and surprise gifts. Every moment was stimulating and inspiring, not least of all because all the students there were in earnest and eager to learn. And, if you’ve been around the tango community any length of time, you know that this dance attracts some of the most interesting, creative, artistic people.

You also know about “milonga anxiety”—who among us does not? One of the gifts of these group workshops is the chance for the participants to get comfortable with the dance, with no performance anxiety whatsoever, during the fragile embryonic stages that accompany the learning of anything new. Even the teachers were there to learn. We were all open and all vulnerable together.

On Sunday, Christy’s friend and teaching partner from Metronome Tuesdays (and one of my first teachers), Daniel Peters, took Adolfo’s place. Oh, and on the spur of the moment, Christy gave me the opportunity to talk to the students about my book, Tango, an Argentine Love Story, which was really nice and gave me a chance to delve beneath the publicist’s soundbite: A travel  memoir of a woman who loved, lost, got mad, and decided to dance.

By the end of Sunday, every newcomer to tango had enough steps and patterns under their belts, in their feet, to dance at a milonga. They knew a lot about the culture of the dance and its past. And because we had a simulated milonga (“milonga with training wheels,” Christy called it), they learned all the etiquette and guidelines for attending one in Buenos Aires.

There are some big headline-grabbing events going on in the world (which, thankfully, keeps spinning on its axis). But right in front of our noses and torsos is the real news: There is a dance. It is a contemplative dance. Partners lean into each other like two hands in prayer or meditation. Anyone can do this dance, who has the heart for it. You learn it from the feet up, but you dance it from the heart down. It takes two but it makes you one. Tango is a sad (or glad) feeling that can be danced; it is a three-minute love affair with a stranger . . . and much more. It is the ultimate tale of conflict and peaceful revolutions.

Sign up soon if you want to take Christy Cote’s intermediate Boot Camp. I will be there both days, assisting. It promises to be a high tango moment. A description:

“13 hrs of instruction packed into this fast paced, kick-butt weekend of intensive Argentine Tango for Intermediate level dancers! Includes a review of basic elements then onto Molinetes, Sacadas, Ganchos, Enganches, Boleos, etc. plus Vals & Milonga (the dance) and segments on customs of Argentine Tango, history & musicality. The “Elite Tango Force” , a group of more experienced dancers, will be on hand to guide you thru the boot camp by partnering the boot camp recruits. This unique system makes Christy’s Boot Camps the best possible way to learn. No previous experience necessary, just the willingness to learn a lot in a short period of time. Perfect for those with a basic knowledge of Argentine Tango at least up to dancing Molinetes. No partner needed. Boot Camps are leader/follower balanced so sign up early to reserve your space. $189 per person. Includes CD of Argentine Tango music.”

Free Tango Class & Practica thru 2020

FREE TANGO CLASS AND PRACTICA

This may be the best tango deal in town. Maestro Ivan Shvarts trained in Buenos Aires with several excellent tango teachers. I am assisting him and we’re having a ball. Although his class is promoted as tango for seniors, the classes have great talent in ages ranging from 30s to early 90s. You will never guess who’s over 80. Ivan brings in fantastic talent almost every week. Occasionally, we have a beautiful Argentine singer Roberto Traina, 80, sing original tangos to us each week after class. Kate Bernier accompanies him on piano.

WATCH A CLASS HERE!

AND HERE – TOM & CAMILLE!

Come join us – drop in – no need to have danced before. We’ll have you up and moving in one class.

“Tango Curiosity, developed by Ivan Shvarts, is the first program of its kind specializing in tango for Bay Area Seniors. Dedicated to teaching authentic Argentine tango for all skill levels and ages, Tango Curiosity currently offers classes in San Francisco, Emeryville and Redwood City.”

4321 Salem St, Emeryville, CA 94608, – Every Friday
1:00 – 2:15   Class all Levels and ages
2:15 – 3:30   Practica, No partners needed

home made lunch $3 at 12:00 for members, membership is Free

Emeryville Senior Center
4321 Salem St.
Between San Pablo & Adeline
of 43 rd. St.
Emeryville, CA

Art deco veterans building,
original hardwood floor 3000sq.f
tangocuriosity@gmail.com
www.tangocuriosity.org

Map

If it’s Tuesday, it’s Tango

I am helping teach at Christy Cote’s tango classes every Tuesday, beginners and intermediates, followed by a practica, 9 to 11pm or so.

The floor is smooth and spacious. Drop by.

Tuesdays:

At the old Metronome on 17th St. near DeHaro

7pm to 8pm – Beginners

8pm to 9pm – Intermediate

9pm til midnight – practica (only $5 for the practica)

Visit www.christycote.com or www.tangomango.org for more prices, details

Thru 2012 Signed copies Last Cannoli, Tango books

Buy signed copies of Tango, an Argentina Love Story or The Last Cannoli.

$15 per book, shipping and handling included. Please email your mailing address to me after you have paid: ocaramia@me.com. Allow seven to ten days for delivery. Special, overnight delivery is available upon request, for added cost. Email your request: ocaramia@me.com.

You may also pay by check. Mail to: Camille Cusumano, P.O. Box 475099, San Francisco, CA 94147. Be sure to include your mailing address, specify how many copies of each book, and to whom you wish the books dedicated.

number of copies
The Last Cannoli is a novel about a Sicilian-American family coming of age through the ancient power of storytelling. Wrote Lawrence Ferlinghetti: “This book attests to the power of storytelling to hold life together through all its diasporas.”
Tango is the travel memoir of living in Buenos Aires, dancing tango, and transforming unhappiness into the time of my life. Sylvia Boorstein called Tango, “a remarkable addition to contemporary dharma literature.” A must read for students of tango and Zen and life.

Awarded For My Love of Tango

At a cocktail reception and  award ceremony with Mike Rayburn entertaining.

Wells Fargo recognized me and three other Californians for doing something different and impressive—for following our passions—after age 50.

Who says quitting your day job is not advisable? I did so in 2005 when I fell head over stiletto heels in love with tango and went to live in Buenos Aires. Now I’m being rewarded by WF with a sum of cash and a party for 100 of my friends and family.

We are called Second-Half Champions.

The event took place on Tuesday, March 22, 2011 in Walnut Creek, CA at:

Lesher Center for the Arts
1601 Civic Drive
Walnut Creek, CA 94596